A family business with a global outlook, Hauser & Wirth has expanded over the past 26 years to include outposts in Hong Kong, London, New York, Los Angeles, Somerset and Gstaad. Courtesy the Artist and Hauser & Wirth, Zurich. Museo de Bellas Artes, 'Realigning Vision: Alternatives Current in South', Caracas, Venezuela 79-81, 1997 Gibson, Edith A., 'Anna Maria Maiolino', in: Gibson, Edith A., Ramirez, Mari Carmen, 'Re-Aligning Vision, Alternative Currents in South-America', Austin: Archer M. Huntington Art Gallery/The University of Texas at Austin, 1997, pp. Museum of Fine Arts, Boston, 'Permission to be Global: Latin American Art from the Ella Fontanals-Cisneros Collection', Boston MA Dambrot, Shana Nys, 'Anna Maria Maiolino at MOCA', on: https://artandcakela.com, Los Angeles CA, 11 January 2018, ill. Gerwin, Daniel, 'Best of 2017: Our Top 10 Los Angeles Art Shows: Anna Maria Maiolino at the Museum od Contemporary Art, Los Angeles', on: hyperallergic.com, New York/NY, 20 December 2017, ill. ___, '10 to See. Tate Modern, 'The World Goes Pop', London, England The gallery was founded in 1992 and in 1996 opened its first permanent location in the former Löwenbräu brewery building in Zürich. They also viewed Mike Kelley’s exhibition at Hauser and Wirth gallery; the Anna Maria Maiolino exhibition at MOCA Grand (part of the Getty Foundation’s Pacific Standard Time LA/LA initiative, attended a symphony at the Walt Disney Concert Hall, and toured the Instituto Tomie Ohtake, 'Arte em Questão – Anos 70 no Brazil', São Paulo, Brazil, 2006 Cisneros Fontanals Art Foundation – CIFO, 'The Sites of Latin American Abstraction', Miami FL 978, 1057. David Zwirner, ' Cut, Folded, Pressed & Other Actions, New York NY Maiolino’s multidisciplinary practice has consistently explored the viscerality of embodied experience – often obliquely through fragmentation and abstraction – and engaged the human body’s processes as analogs for both the making of art and the making of modernity. Pub Date: 5/23/2017 Active | In stock. 148-149, ill. (exh. ), 'Anna Maria Maiolino', Santiago de Compostela: Centro Galego Arte Contemporánea, Barcelona: Fundació Antoni Tàpies, London: Koenig Books, Malmö: Malmö Konsthall, 2010, ill. Arujo, Marcelo Mattos, Venâncio Filho, Paulo, 'Anna maria maiolino: entre muitos', São Paulo: Pinacoteca do estado de São Paulo, 2006, Osörio, Luiz Camillo, 'A ética da simplicidade', in: 'Anna Maria Maiolino; Segmentos (folder)', Rio de Janeiro: Mercedes Viegas Arte Contemporânea, 2004, De Zegher, Catherine (ed. Colombia, 2005 Itaú Cultural, 'O Corpo na Arte Contemporânea Brazileira', São Paulo, Brazil Giorgia von Albertini, St. Moritz, Switzerland, 2018 Pivô Arte e Pesquisa, 'Imannam | Ana Linnemann, Anna Maria Maiolino and Laura Lima', São Paulo, Brazil Museum of Fine Arts, 'Realigning Vision: Alternatives Current in South America – Drawing', Caracas, Venezuela Espaço Cultural Santander, 'Papel & Tinta', Porto Alegre, Brazil View Anna Maria Maiolino’s 42 artworks on artnet. 33, 35, 63, 155, 226, 235, ill. ___, 'A Otica do Invisivel. Museu de Arte Moderna de São Paulo, 'Destaque Arte Contemporânea Brazileira', São Paulo, Brazil Born in Italy in 1942, Anna Maria Maiolio lives and works in São Paulo, Brazil. In recent years, Maiolino’s work has garnered critical international recognition at dOCUMENTA 13, Kassel, Germany (2012); the Sydney Biennale, Sydney, Australia (2008) and numerous editions of the São Paulo Biennale. In 2010, the major retrospective ‘Anna Maria Maiolino’ opened at the Antoni Tàpies Foundation, Barcelona, Spain and travelled to the Galician Center for Contemporary Art, Santiago de Compostela, Spain (2011) and Malmö Kunsthalle, Malmo, Sweden (2011). ], 'Pierrette Bloch', Vevey: Musée Jenisch Vevey, 2013, pp. Roteiros, XXIV Bienal de São Paulo', São Paulo: Fundação Bienal de São Paulo, 1998, pp. Paço Imperial, 'Caminho do Contemporâneo 1952/2002', Rio de Janeiro, Brazil 250-255, 2001 ___, 'A Otica do Invisivel. Roteiros. Lequeux, Emmanuelle, 'Anna Maria Maiolino, la création sur un fil', on: www.lemonde.fr, Paris/FR, 16 October 2017, ill. Darsie, Alexander, Bartholomew Ryan, 'International Pop', New York: Distributed Art Publishers, 2015, p. 271, ill. Roteiros. Museu de Arte Moderna do Rio de Janeiro, 'Ciclo de Estudos do E.N.S.A. For Maiolino, paper becomes more than a surface for drawing; it is both ‘matter and body’, expressed through the act of gesture. Evocative of century old fossils or the membranes of a coral reef, works from her series ‘Entre o Dentro e o Fora (Between Inside and Outside)’ are filled by cavities and holes. ANNA MARIA MAIOLINO BETWEEN SENSES Hauser & Wirth 32 East 69th Street - New York 7/5/2014 - 21/6/2014 Anna Maria Maiolino is one of the most significant artists working in Brazil today. On view will be a selection of drawings, works on canvas, sculptures, photographs, and videos, as well the sound installation ‘Two Beats’ (2012), which features the artist’s poem 'Eu so Eu (I am I)’ that was presented at dOCUMENTA 13. Machado Júnior, Rubens, 'Marginalia 70: O experimento no Super-8 Brasileiro, São Paulo: Itaú Cultural, 2001 Críticos de Arte), Rio de Janeiro, Brazil, 1980 Prêmio de Aquisição - III Salão Nacional de Artes Plásticas , Rio de Janeiro, Brazil, 1974 (IN-OUT Antropofagia) - Filme premiado no I Festival de Filme Super-8 , Curitiba, Paraná, Brazil by Catherine de Zeger, New York: The Drawing Center 2002, p. 281). Galeria de Arte Sesi, 'O Desenho Moderno no Brazil, Coleção Gilberto Chateaubriand', São Paulo, Brazil University of California, 'Inagurane Collection of Modern and Contemporary Art of the National Gallery', Berkeley CA Manifested as a self-portrait, the video ’08/07/2013′ (2013), from the ‘Present’ series, discusses the significance of a single experience that transpired on the artist’s journey home from dOCUMENTA 13. 'O.V.S.I. $14.99. Heilmann, Richard Jackson, Bharti Kher, Anna Maria Maiolino, Takesada Matsutani, Fabio Mauri, Paul McCarthy, Pipilotti Rist, Dieter Roth, André Thomkins, Philippe Vandenberg and David Zink Yi. The London Institute, 'Transnational Art Seminar', University of Arts London, London, England Roteiros. The National Museum of Women in the Arts, 'Mulheres Artistas do século XX', Washington DC Anna Maria Maiolino review – roll up for a witty surrealist sausage party 4 / 5 stars 4 out of 5 stars. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Arnaud, São Paulo, Brazil, 1989 Prêmio Mário Pedrosa - Melhor Mostra , concedido pela ABCA (Associação Brazileira de 2010 de Zegher, Catherine, 'On Line: Drawing Through the Twentieth Century', New York: MoMA, 2010 Art and the Feminist Revolution', Los Angeles CA Gabinete de Arte Raquel Arnaud, 'Trajetória/Trajetórias', São Paulo, Brazil 28-43, Carlos, Esther, Emílio, 'Anna Maria Maiolino', Joel Eldestein Contemporary Art, Rio de Janeiro, 1997, Leirner, Sheila, 'Anna Maria Maiolino', Paris: Galerie Debret, 1995, Chiarelli, Tadeu, 'Anna Maria Maiolino. Museu de Arte Moderna do Rio de Janeiro, 'Desenho Brazileiro 1974', Rio de Janeiro, Museu de Arte Moderna, 'Panorama de Arte Atual Brazileira – Desenho', São Paulo, Brazil, Instituto Brazil-Estados Unidos, 'Indagação sobre a Natureza, Significado e Função de Obra de Arte', Rio de Janeiro, Brazil, II Bienal del Grabado Latino-Americano, San Jose de Porto Rico, Porto Rico, XXII Salão Municipal de Belas Artes, Belo Horizonte, Minas Gerais, Brazil, VIII Bienal Internacional de São Paulo, São Paulo, Brazil, III Salão de Arte Moderna do Distrito Federal, Federal District, Brazil, Salão Nacional de Arte Moderna, Rio de Janeiro, Brazil, XX Salão Paranaense de Belas Artes, Curitiba, Paraná, Brazil, Galeria das Folhas, 'Salão do Trabalho', São Paulo, Brazil, IV Salón de Jóvenes Pintores, Caracas, Venezuela, III Salón de Jóvenes Pintores, Caracas, Venezuela, II Salón de Jóvenes Pintores, Caracas, Venezuela, Prêmio APCA (Associação Paulista de Críticos de Artes) - Os Melhores de 1993 -, Prêmio Mário Pedrosa - Melhor Mostra , concedido pela ABCA (Associação Brazileira de, Prêmio de Aquisição - III Salão Nacional de Artes Plásticas , Rio de Janeiro, Brazil, (IN-OUT Antropofagia) - Filme premiado no I Festival de Filme Super-8 , Curitiba, Paraná, Brazil, Prêmio Guignard, Aquisição - II Mostra de Artes Visuais, Niterói, Rio de Janeiro, Brazil, Prêmio da Cidade - III Salão de Arte Contemporânea de Campinas , Campinas, São Paulo, Brazil, Referência Especial do Júri - III Salão de Arte Moderna do Distrito Federal, Federal District, Brazil, Prêmio de Aquisição - XX Salão Paranaense de Belas Artes , Curitiba, Paraná, Brazil, Alves, Paulo (ed. 3906915298. Early life. Museu da República, 'Três Gerações Artistas Mulheres', Rio de Janeiro, Brazil Fellbach Triennial of Small-Scale Sculpture, 'Utopia Starts Small', Fellbach, Germany Photo: Genevieve Hanson ‘Dieter Roth. Muito com tão pouco', in: Revista Manchete, Rio de Janeiro, n. 1494, 6 December 1980, Pontual, Roberto, 'Espaços Emergentes', in: Jornal do Brasil, Rio de Janeiro, 25 April 1979, Morais Frederico, 'A Arte nos Caminhos e Descaminhos da Vida', in: O Globo, Rio de Janeiro, 14 April 1976, Araújo, Olívio Tavares de, 'Anna Maria Maiolino', in : Revista Veja, São Paulo, n. 304, 3 July 1974, Alvaro, José, 'O Dia-A-Dia da Criação. 1930-2006: Selections from a Decade of Acquisitions. Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by co-president Marc Payot. Centro Cultural Banco do Brasil Belo Horizonte, 'Resistir é Preciso', Belo Horizonte, Brazil The Estate of Philippe Vandenberg (1952 – 2009) 20 12. 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